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Grateful Dead Live at Shoreline Amphitheatre on 1991-08-17




Set 1

Help On The Way-> Slipknot!-> Franklin's Tower, Wang Dang Doodle, Brown Eyed Women, Queen Jane Approximately, Tennessee Jed, The Music Never Stopped

Set 2

Women Are Smarter, Ship of Fools, Smokestack Lightning-> He's Gone-> Drums-> Dark Star Jam-> Morning Dew, One More Saturday Night, E: It's All Over Now Baby Blue


Collection GratefulDead
Band/Artist Grateful Dead
Venue Shoreline Amphitheatre
Location Mountain View, CA

Source Hansokolow matrix of these digital sources: SBD: shnid=20696 // AUD: shnid=94196 (Taped by: Keith Litzenberger)
Transferred by hansokolow

Reviews

Reviewer: sailorsaint71 - - May 28, 2013
Subject: like it
sounds great this and the expo run were great also deer creek,sandstone, and landover were my favs in 91'
Reviewer: carlaplattwatercolors - - November 22, 2010
Subject: One of my favorites in 40 yrs
I loved this show. We had 3rd row center . Jerry and Bruce were smiling all night..I didn't care what they were going to play..We had 3rd row ..They played the best songs ..What a show.Thank you, Jerry !
Reviewer: Evan S. Hunt - - June 5, 2010
Subject: Flawless
Flawless performance. Immaculate sound.

Bruce Hornsby's piano chords on Morning Dew are otherworldly.
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-s Set 2
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100; Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6; Tapes Maxell MX-S 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
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Source: Sony D6 Cassette Master>Sennheiser 441 Mics>Sony TC- We 325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac.